Tuesday 27 August 2019

28th Sept. is World Cyanotype Day - Put Out More Flags.

If anyone fancies using some of this lovely sunshine to make a piece of work,  why not consider World Cyanotyope Day - The link is below the description - Peter.

Everyone in the world is cordially invited to celebrate World Cyanotype Day at A Smith Gallery in Johnson City, Texas on Saturday, September 28 by creating cyanotype flags of their interpretation of Land/Sea/Sky on white cloth,
each 12×12 inches (30×30) cm.  
Strung together, the flags symbolize the beautiful planet we all inhabit.   

"Fishing with Max Brückner"   Raimond De Weerdt



The installation will hang in the gallery until October 21, 2019.  The flags will then be taken to New Orleans to the Healing Arts Center for an exhibition beginning in December for PhotoNOLA until the end of Mardi Gras 2020.
  

And for those of us that can’t make it to Johnson City?
September 28th is your chance to put the “World” into World Cyanotype Day.
Gather with friends in backyards, parking lots, galleries, parks – wherever your gathering spot may be – to connect, create & celebrate this beautiful planet we inhabit by creating cyanotype flags together.
 
 
There is no entry fee. We just want to fill the gallery with cyanotype flags!
 
For more information or questions, please contact amanda@asmithgallery.com 


Tuesday 7 May 2019

UCA Workshops 2019: Elephant ears and bowler hats

It's May so it must be UCA wet plate time again!
As ever, we had some terrific plates. Everybody poured their own and I was very impressed by the steady hands. - way better than my first pours! Thanks to those who brought props. Once again we proved that nobody ever regrets dressing up for their portrait.  Here are the results:

Julia Margaret Cameron liked to drape fabric around her male subjects' shoulders and so do we.
Here's Nathan..

Greg's bowler hat becomes almost a halo in this beautiful plate

The marks around the edge of Georgia's plate are called "oysters" They add to the framing effect.


Alana Ward-Craner (maybe for the last time? ! )
This one is a tintype (collodion on black aluminium)



Gideon looking suitably stern and Victorian.
There's no doubt: Beards work well on wet plate portraits.


Daisy working a combination of funfair costume, blue sunglasses and elephant ears.


One of the few where we didn't use the head brace to steady people.
It's almost impossible to stay stock still for 60 seconds. It's still a beautiful image.


The altered spectral sensitivity accentuates some complexions. Hollie's freckles look wonderful.


Some superb styling and a great pose. Is that really Josh in there?


The bowler hat saw a lot of action. Here's Katie's portrait.


A very different and original sort of portrait.
Lisa made another plate which was technically better (I made bit of a mess of
developing this one!) but this is, I think the more interesting.


Another really lovely portrait: Shanice using minimal props and catching the light beautifully.


The glasses were the most popular prop after the hat. Verity going for a Lennon/Ono look perhaps?

Sunday 10 February 2019

Scan-O-Cam: - workshop experiment and innovation


A year or two ago I made a prototype scanner-camera.  It was a simple proof-of-concept lash-up using a Canon flatbed scanner, some foam board and a magnifying glass lens. With a little tweaking* I made it work well enough to show the idea had promise. The mark 2 'posh' version still hasn't been made but I've kept the original in its crude sticky-taped form to use in UCA photo workshops.
*( full article another time - I promise!)
The Scan-O-Cam Mk 1: Materials: Canon LIDE scanner, foam board boxes, magnifying glass, sticky tape.

This year's BA Photo workshop on experimental cameras was a great success.  Everyone got into the spirit of making, hacking and creatively experimenting with all sorts of stuff and some really great pictures were made on the scanner camera.

COLOUR:
The scanner isn't designed to work with a transmitted light image. It fires rapid flashes of red, green and blue light at the platen surface, expecting it to be reflected back by the document it's scanning.  I partially disable the light so the sensor sees the image produced by the lens instead.  This is effectively monochrome but by doing three scanning passes with a red, green or blue filter in turn a composite colour image can be made. - Thanks to Greg Jones for his work on the colour combination technique.

Here's an example. Three scan-photos of Larry were made in succession:
red filter...........................................................green filter.......................................................blue filter
The camera and subject need to stay still and in register for each scan. - not easy for portraits!

The red, green and blue image files are combined by pasting into the R,G,B channels in Photoshop (I will publish a more detailed article later) and a colour image results:
Red, green and blue images combined in Photoshop

MOVEMENT:
The scanner moves horizontally and relatively slowly even at low resolution. This gives a lot of scope for deliberate movements during the exposure.  Cue some really innovative and interesting experiments:

If the subject moves in the opposite direction to the scan it appears compressed:
Meg moved in the same direction as the scan so she's compressed while the background is unaffected 

Standing still but jumping sideways successively gives a multiple subjects:
" Lots of Meg" - I think this one is my favourite.

Moving up and down during the scan distorts as zigzag lines:
Truly surreal... Josh waved both arms and legs during the scan

Another great image - plus what appears to be an insect on the scanner glass?


Thanks to everyone in the workshop for these images - Some very experimental and original ideas. Well done!